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Transcript

44. The Nuclear Mysticism of Christ of Dali

4
“Christ of St. John of the Cross” by Salvador Dali (1951)

We begin a two-part series on Salvador Dali and his painting “Christ of St. John of the Cross.” We recognize that Dali was both thorny and mercurial, bringing these aspects of his life into the discussion about his 1951 painting. We also read the first fifteen stanzas of George Herbert’s poem “The Sacrifice.” Take a look at the chapter headings below to see the ground we cover.

Chapters

00:00 Introduction to the Color of Dust
06:37 Exploring George Herbert's 'The Sacrifice'
12:34 The Role of Poetry in Worship
16:20 Salvador Dali: A Controversial Artist
23:33 Dali's Background and Artistic Journey
31:27 The Intersection of Art and Morality
33:41 Exploring the Inner Turmoil of Artists
35:39 The Artistic Legacy of Salvador Dalí
38:07 The Intersection of Skill and Surrealism
41:00 The Evolution of Artistic Genius
44:34 Dalí's Spiritual Journey and Influences
47:24 The Symbolism in Dalí's Work
51:53 The Impact of Atomic Age on Art
55:10 Beauty vs. Ugliness in Modern Art
56:39 Personal Reflections on Dalí's Painting
01:02:18 Comparative Analysis of Artistic Works

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